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{"id":2239,"date":"2023-12-04T20:29:13","date_gmt":"2023-12-04T20:29:13","guid":{"rendered":"https:\/\/dmcinfotech.com\/?p=2239"},"modified":"2023-12-22T00:30:31","modified_gmt":"2023-12-22T00:30:31","slug":"o-belde-161","status":"publish","type":"post","link":"https:\/\/dmcinfotech.com\/2023\/12\/04\/o-belde-161\/","title":{"rendered":"o belde 161"},"content":{"rendered":"

Ahmet Ha\u015fim’in O Belde \u015eiirinin Tahlili<\/h1>\n

\u201cHayat m\u00fccadelesi\u201d ifadesinin genel kabul g\u00f6rerek kullan\u0131lmas\u0131 da insan\u0131n d\u00fcnya hayat\u0131n\u0131n \u201cm\u00fccadele\u201d \u015feklinde \u00f6zetlenebilece\u011fini g\u00f6stermektedir. Bu durum ayn\u0131 zamanda insana m\u00fccadele g\u00fcc\u00fc ve iradesi de kazand\u0131rmaktad\u0131r. Peygamber\u2019in kar\u015f\u0131la\u015faca\u011f\u0131 g\u00fc\u00e7 \u015fartlara, m\u00fc\u015friklerin ona uygulayaca\u011f\u0131 bask\u0131lara ve bunlara kendini haz\u0131rlamas\u0131 gerekti\u011fine de bir i\u015faret oldu\u011fu anla\u015f\u0131l\u0131yor. \u00a9 Bu \u015fiirin her t\u00fcrl\u00fc telif hakk\u0131 \u015fairin kendisine ve \/ veya temsilcilerine aittir. Ba\u015flang\u0131\u00e7ta \u015fair, yan\u0131nda bulunan bir kad\u0131nla ak\u015fam g\u00fcn bat\u0131m\u0131n\u0131 seyrediyor. O Belde \u015eiiri ”Ak\u015fam \u015eairi” ad\u0131yla bilinen Ahmet Ha\u015fim taraf\u0131ndan yaz\u0131lm\u0131\u015ft\u0131r. T\u00fcrk\u00e7eyi en iyi kullanan \u015fairlerden biri olan Ahmet Ha\u015fim, hayat\u0131 boyunca \u015fiirin ”estetik bir de\u011fer” oldu\u011funu savunmu\u015f ve bu ilkeye g\u00f6re \u015fiirler kaleme alm\u0131\u015ft\u0131r. Benedetto Croce \u201cedeb\u00ee nevi yoktur, m\u00fcnferit ve yeg\u00e2ne eserler vard\u0131r. Dikkat edilirse bu kelimeler \u201cO Belde\u201dnin temlerini g\u00f6sterir. Bu temler \u00e2deta bir m\u0131knat\u0131s gibi kendi etraflar\u0131na, kendilerine benzer kelimeler \u00e7ekmi\u015fler ve \u015fiirin esas dokusu bu kelimelerle dokunmu\u015ftur. \u015eimdi bu kelimelerin dokunu\u015f tarz\u0131n\u0131 g\u00f6relim ve ba\u015fta s\u0131fat tamlamalar\u0131n\u0131 ele alal\u0131m. H\u00e2\u015fim bu \u015fiirinde umumiyetle objektif isimleri tavsif ediyor.<\/p>\n

T\u00fcrkoloji Dergisi<\/h2>\n

\u201cSis\u201d \u015f\u00e2irinin bu konuda yazd\u0131klar\u0131n\u0131 herkes bilir. Belki de H\u00e2\u015fim, \u015fiirin bu par\u00e7as\u0131n\u0131 yazarken, Tevfik Fikret\u2019in alm\u0131\u015f oldu\u011fu nefret edici tavr\u0131n tesiri alt\u0131nda kalm\u0131\u015ft\u0131r. Ba\u015flang\u0131\u00e7ta \u015f\u00e2ir, yan\u0131nda bulunan bir kad\u0131nla ak\u015fam\u0131 seyrediyor. Bu kad\u0131n ince ve tabiat\u0131 anlayan bir ruha sahiptir. G\u00f6zlerini ak\u015fam\u0131n renkleri ve h\u00fcz\u00fcn b\u00fcr\u00fcm\u00fc\u015ft\u00fcr. Kabaca bir tavsif ile yetinilirse, H\u00e2\u015fim\u2019in olgunluk \u00e7a\u011f\u0131n\u0131n ilk merhalesine lirik, ikinci merhalesine sembolik vasf\u0131n\u0131 verebiliriz. Bunlarda teferruat, duyulmu\u015f realiteyi k\u0131smen de\u011fi\u015ftirilmi\u015f bir tarzda aksettirir. Piyale\u2019nin temsil etti\u011fi ikinci merhalede ise, neye tekab\u00fcl etti\u011fi katiyetle s\u00f6ylenemeyen semboller \u00f6n plan\u0131 i\u015fgal eder. \u201cMerdiven\u201dden sonra ne\u015fredilen \u201cBir G\u00fcn\u00fcn Sonunda Arzu\u201d isimli \u015fiirin anla\u015f\u0131lmazl\u0131\u011f\u0131ndan dolay\u0131 uyand\u0131rd\u0131\u011f\u0131 g\u00fcr\u00fclt\u00fc bu de\u011fi\u015fmeyi a\u00e7\u0131k olarak g\u00f6sterir. Di\u011fer taraftan, bir sanatk\u00e2r\u0131n eserleri ba\u015fka bir sanatk\u00e2r\u0131nkinden ayr\u0131 bir karakter ta\u015f\u0131d\u0131\u011f\u0131 gibi, ayn\u0131 sanatk\u00e2r\u0131n muhtelif eserleri de birbirinden ayr\u0131 \u00e7ehreler arz eder.<\/p>\n

EN SON A\u015eAMADA KAMBUR YAPAB\u0130L\u0130R<\/h2>\n

Belde kamburluk lomber kifoz olarak da tan\u0131mlan\u0131r. Lomber kifoz \u00f6nemli duru\u015f bozukluklar\u0131na ve v\u00fccudun \u00f6ne e\u011filmesine neden olan ciddi bir sa\u011fl\u0131k problemidir. Sagittal denge denilen v\u00fccudun \u00f6n – arka y\u00fck da\u011f\u0131l\u0131m\u0131n\u0131n ileri derecede bozulmas\u0131 ve \u00f6ne e\u011fik duru\u015f durumudur. Bu son derece a\u011fr\u0131l\u0131 ve rahats\u0131z edici bir tablodur. Lomber d\u00fczle\u015fmenin bir sonraki a\u015famas\u0131d\u0131r\u201d dedi. Uzun s\u00fcre hareketsiz kalmak bir\u00e7ok probleme kap\u0131 aral\u0131yor. Dr. Murat Sili, hareketsiz bir ya\u015fam\u0131n bel d\u00fczle\u015fmesine neden olabilece\u011fini s\u00f6yl\u00fcyor.<\/p>\n

B\u00fct\u00fcn bu s\u0131fat tamlamalar\u0131 g\u00f6steriyor ki Ha\u015fim, \u201cO Belde\u201dde nesnel varl\u0131klar\u0131 s\u00fcrekli silmeye, kaybetmeye, inceltmeye, uzakla\u015ft\u0131rmaya \u00e7al\u0131\u015f\u0131yor. Diyerek bug\u00fcnk\u00fc be\u015ferin kabal\u0131\u011f\u0131n\u0131 anlat\u0131yor. Kad\u0131n\u0131n, do\u011fan\u0131n ve sanat\u0131n bug\u00fcnk\u00fc nesil taraf\u0131ndan anla\u015f\u0131lmamas\u0131 ve anlams\u0131z g\u00f6r\u00fclmesi, romantikler taraf\u0131ndan \u00e7ok i\u015flenmi\u015f bir konudur. Ancak \u015fair, bu durumu kendine g\u00f6re ve kendi anlat\u0131m\u0131yla yorumluyor. Reklam \u00e7erezleri, ziyaret\u00e7ilere alakal\u0131 reklamlar ve pazarlama kampanyalar\u0131 sa\u011flamak i\u00e7in kullan\u0131l\u0131r. Bu \u00e7erezler, web bettilt giri\u015f<\/a> genelinde ziyaret\u00e7ileri izler ve \u00f6zelle\u015ftirilmi\u015f reklamlar sa\u011flamak i\u00e7in bilgi toplar. Sitemiz en iyi hizmet i\u00e7in \u00e7erezler kullanmaktad\u0131r. Siteye giri\u015f yaparak \u00e7erez kullan\u0131m\u0131n\u0131 kabul ediyorsunuz. M\u0131sra\u0131 ile insana r\u00e2ci \u201ceinf\u00fchlung\u201du en g\u00fczel \u015fekilde anlatan H\u00e2\u015fim, yukar\u0131daki ifadesinde yeni bir his ke\u015ffediyor. \u201cO Belde\u201dde vezin gibi kafiye sistemi de \u00e7ok de\u011fi\u015fiktir. Yaln\u0131z vezinde oldu\u011fu gibi kafiyede de mutlak bir serbest\u00eeye gidilmemi\u015ftir. Baz\u0131 kafiyeler gay-rimuayyen fas\u0131lalarla tekrarlan\u0131rlar.<\/p>\n

G\u00fczellik, h\u00fcz\u00fcn, ay \u0131\u015f\u0131\u011f\u0131 i\u00e7inde dola\u015fma ve zay\u0131fl\u0131k; bu \u00f6zellikleri biz Ahmet Ha\u015fim\u2019in annesinde ve \u00e7ocuklu\u011funda tan\u0131d\u0131\u011f\u0131 kad\u0131nlarda da g\u00f6r\u00fcyoruz. \u015eairin hayal etti\u011fi \u201co belde\u201d ile \u00e7ocuklu\u011funda ya\u015fad\u0131\u011f\u0131 yerler aras\u0131nda b\u00fcy\u00fck benzerlikler vard\u0131r. \u015eair, \u00e7ocukken ya\u015fad\u0131\u011f\u0131 yerleri hayalinde daha da g\u00fczelle\u015ftirerek \u201co belde\u201d yap\u0131yor. Yaln\u0131z Ahmet H\u00e2\u015fim\u2019in bu temi i\u015flerken gerek teferruat, gerek \u00fcsl\u00fbp bak\u0131m\u0131ndan Frans\u0131z \u015f\u00e2irinden de ayr\u0131 kald\u0131\u011f\u0131m i\u015faret edelim. Cenab\u2019\u0131n bahis konusu \u015fiirlerinde \u201cuzaklara gitmek\u201d temi yoktur; \u015f\u00e2ir, sadece yan\u0131nda bulunan kad\u0131nla kar\u015f\u0131lar\u0131nda bulunan h\u00fcz\u00fcnl\u00fc manzaray\u0131 seyreder. Baudelaire\u2019de \u201cuzaklara gitmek\u201d temi vard\u0131r. Yaln\u0131z yapt\u0131\u011f\u0131 tasvire g\u00f6re, gidilecek olan bu yer, Akdeniz\u2019de muayyen bir yerdir.<\/p>\n

{<\/p>\n

Edebiyat\u0131 Cedide K\u00fct\u00fcphanesi Nedir?<\/h2>\n

|}<\/p>\n

\u0130lk olarak 1909\u2019da \u201c\u015eiir ve Tefekk\u00fcr Mecmuas\u0131\u201dnda yay\u0131nlanan \u015fiir, \u015fairin \u201cG\u00f6l Saatleri\u201d kitab\u0131n\u0131n \u201cSerbest M\u00fcstezat Naz\u0131mlar\u0131\u201d b\u00f6l\u00fcm\u00fcnde yer almaktad\u0131r. O Belde, \u015fairin i\u00e7 d\u00fcnyas\u0131n\u0131 ve \u015fiir anlay\u0131\u015f\u0131n\u0131 en iyi yans\u0131tan \u015fiirlerinden biridir. O Belde, Ahmet Ha\u015fim’in di\u011fer \u015fiirleri gibi liriktir. Bu \u015fiirde, \u015fairin g\u00f6zlemleri, izlenimleri ve d\u00fc\u015f\u00fcncelerinden ziyade duygular\u0131na yer verilmi\u015ftir. Bu web sitesi, siz web sitesinde gezinirken deneyiminizi geli\u015ftirmek i\u00e7in \u00e7erezleri kullan\u0131r. Bunlardan gerekli olarak s\u0131n\u0131fland\u0131r\u0131lan \u00e7erezler, web sitesinin temel i\u015flevlerinin \u00e7al\u0131\u015fmas\u0131 i\u00e7in gerekli olduklar\u0131ndan taray\u0131c\u0131n\u0131zda saklan\u0131r. Ayr\u0131ca, bu web sitesini nas\u0131l kulland\u0131\u011f\u0131n\u0131z\u0131 analiz etmemize ve anlamam\u0131za yard\u0131mc\u0131 olan \u00fc\u00e7\u00fcnc\u00fc taraf \u00e7erezleri kullan\u0131yoruz.<\/p>\n

Bu vaziyet, edeb\u00ee eseri bilhassa \u00fcsl\u00fbp bak\u0131m\u0131ndan incelemek l\u00e2z\u0131m geldi\u011fi fikrini de kuvvetlendirmi\u015ftir. Zira edeb\u00ee eser, her \u015feyden \u00f6nce umum\u00ee dilin hususi \u015fekil alm\u0131\u015f bir terkibi olarak g\u00f6r\u00fcn\u00fcr. Ba\u015fka bir tabir ile edeb\u00ee eserde muhteva ile \u00fcsl\u00fbp birbirinden ayr\u0131lmaz bir b\u00fct\u00fcnl\u00fck arz eder. Tarih\u00ee ve sosyal g\u00f6r\u00fc\u015f muhtevaya de\u011fer veriyordu. Bunlar\u0131 takiben felsef\u00ee ve psikolojik g\u00f6r\u00fc\u015f de muhtevay\u0131 esas tuttu. Sanatk\u00e2r eserini yarat\u0131rken muhteva ile beraber ifadesine de hususi bir \u015fekil verir. Edeb\u00ee ara\u015ft\u0131rman\u0131n gayesi i\u015fte bu hususili\u011fi meydana \u00e7\u0131karmakt\u0131r. T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli isimlerinden Ahmet Ha\u015fim, O belde isimli \u015fiirinde kafas\u0131nda d\u00fc\u015fledi\u011fi topraklara olan \u00f6zlemini dile getirmi\u015ftir. Sevdi\u011fi kad\u0131na da hayallerinde yer veren \u015fair, d\u00fc\u015fledi\u011fi topraklarda birlikte ya\u015fama iste\u011fini dile getirmi\u015ftir.<\/p>\n

M\u0131sra\u0131 \u00e2deta \u015f\u00e2irin daha sonra kaleme alaca\u011f\u0131 \u201c\u015ei\u2019r-i Kamer\u201dlerin ruhunu \u00f6zetler. H\u00e2\u015fim bu \u015fiirlerinde \u00e7ocukken annesiyle beraber \u00e7\u0131kt\u0131\u011f\u0131 ayl\u0131 ve y\u0131ld\u0131zl\u0131 \u00e7\u00f6l gecelerini \u0131srarla anlat\u0131r ve onlara kar\u015f\u0131 hasretini s\u00f6yler. Sonraki k\u0131s\u0131m \u201cO Belde\u201d ile H\u00e2\u015fim\u2019in \u00e7ocukluk h\u00e2t\u0131ralar\u0131 aras\u0131ndaki m\u00fcnasebeti daha a\u00e7\u0131k ortaya koyuyor. Bununla beraber, H\u00e2\u015fim\u2019in \u201cO Belde\u201dyi yazarken Cenab\u2019\u0131n bu \u015fiirlerinin tesiri alt\u0131nda kald\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclebilir. Hareketsiz ya\u015fam\u0131n bel d\u00fczle\u015fmesine yol a\u00e7t\u0131\u011f\u0131n\u0131 belirten Op. Dr. Murat Sili, sa\u011fl\u0131kl\u0131 insan omurgas\u0131nda bel kemi\u011finin kar\u0131n i\u00e7erisine do\u011fru bir yay \u00e7izdi\u011fini s\u00f6yleyerek, \u201cBu yay ki\u015finin y\u00fck ta\u015f\u0131mas\u0131 ve esnemesi bak\u0131m\u0131ndan \u00f6nemli bir yap\u0131d\u0131r. Bu yap\u0131ya ‘bel \u00e7ukuru ya da bel kavisi’ ad\u0131 verilir. Bel d\u00fczle\u015fmesi omurgadaki bu kavisin kaybedilmesi ve dolay\u0131s\u0131yla beldeki hareket mekani\u011finin bozulmas\u0131yla ilgili bir hastal\u0131kt\u0131r. Bel d\u00fczle\u015fmesinin en s\u0131k nedeni, omurgan\u0131n arkas\u0131nda bulunan bel kaslar\u0131n\u0131n zay\u0131flamas\u0131 ve omurgan\u0131n esnekli\u011fini kaybetmesidir.<\/p>\n

O beldenin g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc anlatan dizelerle, o beldede ya\u015fayanlar\u0131 anlatan dizeler. \u015eair, g\u00fczel bir \u00fclkeden ayr\u0131lm\u0131\u015f, bu d\u00fcnyada mahk\u00fbm olarak ya\u015fad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Bu duygu \u015fairin \u00e7ocuklu\u011fundaki mutlu g\u00fcnlerine d\u00f6nemeyece\u011fi d\u00fc\u015f\u00fcncesinden kaynaklan\u0131yor. Ancak bu \u015fiirin uyaklar\u0131 olmad\u0131\u011f\u0131 anlam\u0131na gelmez. Kanuna ayk\u0131r\u0131 ve izinsiz olarak kopyalanamaz, ba\u015fka yerde yay\u0131nlanamaz. Belde kelimesi \u015fehir, mesken, y\u00f6re ve diyar anlam\u0131na gelir. O Belde \u015fiirinde ise hayali bir \u015fehirden bahsedilmektedir. Web sitesinin d\u00fczg\u00fcn \u00e7al\u0131\u015fmas\u0131 i\u00e7in kesinlikle gerekli olan \u00e7erezlerdir. Bu \u00e7erezler, web sitesinin temel i\u015flevlerini ve g\u00fcvenlik \u00f6zelliklerini anonim olarak sa\u011flar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ahmet Ha\u015fim’in O Belde \u015eiirinin Tahlili \u201cHayat m\u00fccadelesi\u201d ifadesinin genel kabul g\u00f6rerek kullan\u0131lmas\u0131 da insan\u0131n d\u00fcnya hayat\u0131n\u0131n \u201cm\u00fccadele\u201d \u015feklinde \u00f6zetlenebilece\u011fini g\u00f6stermektedir. Bu durum ayn\u0131 zamanda insana m\u00fccadele g\u00fcc\u00fc ve iradesi de kazand\u0131rmaktad\u0131r. Peygamber\u2019in kar\u015f\u0131la\u015faca\u011f\u0131 g\u00fc\u00e7 \u015fartlara, m\u00fc\u015friklerin ona uygulayaca\u011f\u0131 bask\u0131lara ve bunlara kendini haz\u0131rlamas\u0131 gerekti\u011fine de bir i\u015faret oldu\u011fu anla\u015f\u0131l\u0131yor. \u00a9 Bu \u015fiirin her t\u00fcrl\u00fc …<\/p>\n

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